The ASO players adopted the ATL Symphony Musicians moniker for benefit concerts at alternative sites, performed independently of ASO management’s auspices, when they were locked out of Symphony Hall during protracted and difficult collective bargaining agreement negotiations in 2012 and 2014.

Typically those sites were smaller, more intimate spaces like Westside Cultural Arts Center, a performing arts venue and gallery in West Midtown, drawing musicians and audiences closer.

Presented by the nonprofit ATL Symphony Musicians Foundation and Anacrusis Productions Ltd., which hope to make an end-of-summer concert by the ATL players an annual rite, “The Brandenburg Affair” will benefit the foundation’s educational outreach program.

Michael Palmer, a former ASO associate conductor who conducted the group during both lockouts, will lead the Aug. 29 chamber music concert.

Fortunately, this performance finds matters far more harmonious between orchestra management and the musicians, who are entering the second season in a four-year contract. The Woodruff Arts Center, the ASO’s parent group, recently announced that the orchestra finished the 2014-15 season with its first surplus in more than a decade and that the arts center had raised $13.3 million to endow additional musician positions.

Meanwhile, here are details on the ASO’s official season-opening program:

The 8 p.m. Sept. 17 and 19 concerts at Symphony Hall will mark the launch of the orchestra’s 71st season and the 15th year of artistic partnership between maestro Spano and principal guest conductor Donald Runnicles.

The 8 p.m. Sept. 17 and 19 concerts at Symphony Hall will mark the launch of the orchestra’s 71st season and the 15th year of artistic partnership between maestro Spano and principal guest conductor Donald Runnicles.

Mahler’s “Resurrection” Symphony will feature the ASO and chorus with special guests Laura Tatulescu, soprano, and Kelley O’Connor, mezzo-soprano.

Opening night will begin with a red carpet welcome for patrons, followed by a champagne toast to ring in the season.

CONCERTS

Atlanta Symphony Orchestra musicians

As ATL Symphony Musicians: 7:30 p.m. Aug. 29 at Westside Cultural Arts Center, 760 10th St. N.W., Atlanta. 

As ATL Symphony Musicians: 7:30 p.m. Aug. 29 at Westside Cultural Arts Center, 760 10th St. N.W., Atlanta. Doors open (with a “welcome reception”) at 6:30 p.m.; talk by ASO program annotator Ken Meltzer at 7 p.m. Tickets — $50, $75 VIP seating, $25 standing room only — via www.eventbrite.com.

As Atlanta Symphony Orchestra: 8 p.m. Sept. 17 and 19 in Symphony Hall, 1280 Peachtree St. N.E., Atlanta. Tickets, $20-$89, via 404-733-5000, aso.org.

This Saturday evening conductor Michael Palmer will lead a performance of all six of Johann Sebastian Bach’s “Brandenburg Concertos” with ATL Symphony Musicians at the Westside Cultural Arts Center on 10th Street in West Midtown, also known as Westside. 

The combined concert and social event, billed as “The Brandenburg Affair,” is a first-time cooperative production between Palmer’s own Anacrusis Productions, Ltd. and the ATL Symphony Musicians Foundation.

The “Brandenburg Concertos” are a collection of concerti grossi, a musical form where musical material is passed back and forth between a small group of soloists (the “concertino”) and a larger orchestra (the “ripieno”). The score to all six were presented by Bach to Christian Ludwig, Margrave of Brandenburg, in 1721, hence their common collective name.

Except for the first, they directly reflect the available musicians Bach had at his disposal while Kapellmeister at Köthen, and yet within that scope, exhibit remarkable variety. They are widely regarded as being at the apex of baroque orchestral works. Nevertheless, as familiar and frequently programmed as they are, they are rarely all heard together in one performance, as they will be on Saturday.

“Where else could you hear 11 featured soloists in one night?” says Todd Skitch, president of the ATLSM Foundation and an ASO flutist, who will be one of those concertino musicians. Skitch also notes that it’s a great way for the public to meet and mingle with the musicians in an intimate community space which encourages that kind of up-close social engagement.

Since the beginning of this year, Palmer had been shopping the idea of mounting a presentation of the complete Brandenburgs in Atlanta, just talking casually with various musicians he knows. As Palmer recounts the story, some of those musicians happened to be on the foundation’s board and in late spring one of them suggested the possibility of Anacrusis partnering with the foundation on the project. 

Palmer began his professional career in Atlanta. At the age of 21, he was selected by Robert Shaw to become the associate conductor of the Atlanta Symphony Orchestra. Today, he is both artistic director of the Bellingham Festival of Music and professor of orchestral studies at Georgia State University. He has conducted the ATL Symphony Musicians on several previous occasions.

Although Palmer has led performances of individual Brandenburg Concertos many times throughout his conducting career, this is only the second time he has performed all six in one evening. The first time — at an event called “Bach, Beer and Barbecue” — was in the spring of 2014 with Chamber Music Amarillo in the five-story atrium of the Happy State Bank in Amarillo, Texas.

“People came out in droves,” say Palmer. “A lot of people there had probably never been to a classical music concert before. They hung over the balconies. After the big harpsichord cadenza in the fifth concerto, the whole place immediately burst into applause. It was a huge success.”

Palmer hopes to achieve a similar kind of success with this Saturday’s “Brandenburg Affair” event at Westside CAA, a former industrial building that has been renovated into a modern social setting with a capacity of around 500 and a prominent Art Deco bar.

Skitch suggests that late August is an ideal time for the foundation to present a program like “The Brandenburg Affair,” falling as it does late within the 10-week off-contract period for ASO musicians, helping fill a void in the city’s classical music scene in a way that draws attention to the foundation and its purposes. 

The foundation has been primarily associated in the public mind with producing concerts by members of the Atlanta Symphony Orchestra under the moniker ATL Symphony Musicians during two lockouts. But with the 2014 ASO lockout months behind them, the foundation now seeks to become better known for its broader missions of musical outreach and education.

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